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Participation: 50%-79%
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Unique Notes: 6 - 10
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counterpoint
J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis
BSG
1:21 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 12 0 3 6 100%
Bass Bass 15 0 5 6 100%
Contrabass Bass 15 0 5 6 100%
Soprano Treble 6 0 1 4 100%
Tenor Treble 12 0 4 5 100%
 
T.L. de Victoria: Aestimatus sum
BSG
1:53 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
2		 Treble 11 0 2 6 97%
Bass
1		 Bass 12 0 2 6 91%
Bass
2		 Bass 10 0 2 6 76%
Tenor
1		 Treble 10 0 1 6 64%
 
Ricercar
Сергей Щетников
1:10 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 1 6 91%
Bass 10 0 0 4 79%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 1 6 91%
Bass 10 0 0 4 79%
 
J.S. Bach: Chorale: Betrübtes Herz, sei wohlgemut (BWV 428) with full analysis
BSG
1:00 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 3 5 100%
Bass Bass 17 0 5 3 100%
Contrabass Bass 17 0 5 3 100%
Soprano Treble 8 0 0 4 100%
Tenor Treble 9 0 1 4 100%
 
Buxtehude - Trio Sonata No.4 in B. {Professional production full score.} Unfinished.
Jamie Holdham
1:10 Est. Play
Time
220 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 10 0 2 100%
Bass 13 5 0 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 9 10 0 2 100%
Bass 13 5 0 2 100%
Cembalo. Bass 12 0 0 2 100%
Violino. Treble 19 0 3 6 79%
Viola
da
gamba.		 17 0 4 6 42%
 
J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714
BSG
1:22 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
 
J. S. Bach: Ach Gott und Herr (“simple” chorale, BWV 48, #3)
BSG
0:40 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 4 5 100%
Bass Bass 18 0 6 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 11 0 4 5 100%
Bass Bass 18 0 6 4 100%
Contrabass Bass 17 0 6 4 100%
Soprano Treble 6 0 0 5 100%
Tenor Treble 11 0 2 4 100%
 
Jesu, deine Passion (di BSG 1996) (chorale-setting)
BSG
1:44 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 0 5 7 91%
Bass 16 0 5 5 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 16 0 5 7 91%
Bass 16 0 5 5 100%
Bass 17 0 7 5 100%
Violin Treble 12 0 4 6 100%
Treble 8 0 1 7 100%
Alto Treble 12 0 4 6 100%
Bass Bass 16 0 5 5 100%
Contrabass Bass 16 0 5 5 100%
Flute Treble 8 0 1 7 100%
Ob
d
C		 12 0 4 6 100%
Soprano Treble 8 0 1 7 100%
Tenor Treble 17 0 7 5 100%
Vcl+Cb. Bass 16 0 5 5 100%
Viola 17 0 7 5 100%